Category: cinematografo


Scott Pilgrim vs. the World

前阵子明明在电影院看到过巨幅的海报,原定于10月27、8上的,不知为什么临了又撤了。这片子,我倒是无所谓有没有大荧幕环绕立体声,反正不是冲着这些才想看的。

开头的音效还真是有够怀旧,当然说这话的前提是我已经很多年没碰过街机了。又为了以防前句带来任何误导性的暗示,坦白说我统共也就玩过不下8次吧。

话说Cera小朋友的长相如此geeky又纯情,扮演情圣当真是非常欠缺说服力,——哪怕是个常常被人甩的失败情圣。

剧情呢?一句话:没有耶。往轻了说,大概算是聊胜于无。

末了,它其实讲了个最简单不过的道理:love will give you power, but you will never be strong enough without self-respect.

老头儿

前几日去看<Whatever Works>,片子的基调一如既往:形式轻松,论调悲观。不知为何,最最中意那一句"In your opinion, in your opinion…"
 
然后忽然意识到:老头儿05年起至今的5部片子我一部也没落下。
 
标志着老头儿事业第二春起始的<Match Point>我个人并没有特别偏爱,只承认确有个精妙且画龙点睛的结尾,仅此而已。
 
<Scoop>的storyline很有些单调乏味,却因为有老头儿那张憋屈得很有喜感的知识分子脸以及标签式的絮絮叨叨,倒也娱乐的很。
 
<Cassandra’s Dream>结构编排不大顺畅,有些不着轻重,然而某几段情节的处理还真是黑色感十足。
 
<Vicky Christina Barcelona>里的角色都很typical,尽管主要情节颇有话题性,结局依然回归至中庸。一直耿耿于美女与野兽的搭配。
 
归纳起来,老头儿近年来的作品越来越通俗易懂,思辨固然还在,却越来越少投入主观情绪;镜头下不再只有黑白的纽约或曼哈顿,可以是色彩饱满的巴塞罗那,也可以是古典萧瑟的伦敦;女主角不再是Diane Keaton式结一条领带的女知识分子形象,而统统换成了胸大无脑的金发美女,——说的只是角色而已。这样也好,少一分沉闷,又少一分伤感或默然的机会。
 
贴个链接:http://www.douban.com/review/2112667/。这篇观感(更多的是延伸)品评的十分细致,末尾的指摘也实在确凿。这剧本原本就是脱胎于70年代,于编剧罢工潮之前被老头儿拎出来指望着救场的。赶超时代的期望留给下一部"Utitled Woody Allen London Project"好了。

Changeling

- "Never start a fight, but always finish it. " -
 
 
Historical context:
 
Disappearance of Walter Collins

Changeling is based on the true story of the kidnapping and supposed return of Christine Collins’ nine-year-old son, Walter. The aftermath of his disappearance exposed corruption in the Los Angeles Police Department and the city’s political hierarchy, leading to the dismissal of senior civic leaders.[4] Walter went missing on March 10, 1928,[56] after having been given money by his mother to go to the cinema. His disappearance received nationwide attention, and the Los Angeles Police Department followed up on hundreds of leads without success.[57] The department faced increasing public pressure to solve the case,[4] until five months after Walter’s disappearance,[57] when a boy claiming to be Walter was found in DeKalb, Illinois. Collins paid for the boy to be brought to Los Angeles, where a public reunion was organized by police. Collins’ claims that the boy was not Walter were met by police Captain J.J Jones’ urging her to "try [the boy] out for a couple of weeks".[4] When Collins returned to see Captain Jones three weeks later to repeat her claim, he had her committed to the psychopathic ward at Los Angeles County Hospital.[4] During Collins’ incarceration, Jones questioned the boy,[57] who admitted to being 12-year-old Arthur Hutchens. A diner at a roadside café in Illinois had told Hutchens of his resemblance to the missing Walter, so Hutchens came up with the plan to impersonate him. His motive was to get to Hollywood so he could meet his favorite actor, Tom Mix.[4] Collins was released and filed a lawsuit against the Los Angeles Police Department.[57] Collins went on to win the second of two lawsuits and was awarded $10,800, which Jones never paid. The city council welfare hearing recommended that Jones and Chief Davis leave their posts, but both were eventually reinstated. In the aftermath of the case, the California State Legislature passed a bill that made it illegal for the police to commit someone to a psychiatric facility without a warrant.[22]

[edit] Wineville murders

In 1926, 14-year-old Sanford Clark was taken from his home in Saskatchewan, Canada by his uncle, Gordon Stewart Northcott. Clark was taken to Northcott’s ranch in Wineville, Riverside County, where he was beaten and sexually abused by Northcott. A family member informed police of the situation,[36] and in September 1928, police found Clark at the ranch and took him into custody. Clark claimed that Northcott had kidnapped, molested and killed several young boys with the help of Northcott’s mother—Sarah Louise Northcott—and the forced participation of Clark himself.[57] The police found no complete bodies at the site—Clark said the bodies were dumped in the desert—but discovered body parts, the personal effects of several missing children, and blood-stained axes. Northcott and his mother had fled to Canada, but they were arrested and extradited to the United States. Northcott’s mother initially confessed to the murders,[36] including that of Walter Collins. She later retracted her statement, as did Gordon Northcott, who had confessed to killing five boys.[57] Gordon Northcott was subsequently convicted of the murders of Lewis and Nelson Winslow (12 and 10 respectively), and an unidentified Mexican boy,[36] though the authorities believed Northcott may have killed as many as 20.[22] He was executed by hanging in 1930. Sarah Louise Northcott was convicted of Walter Collins’ murder and served almost twelve years in prison before being paroled.[36] After Gordon Northcott’s execution, one of the boys thought to have been killed was found alive. In 1930, the residents of Wineville changed the town’s name to Mira Loma, partly to escape the notoriety brought by the case.[57]

 

In Bruges

Quote—-
 
a)
1. Being moody
2. Being bad in maths
3. Being sad
 
b)
Number one, why aren’t you in when I fucking told you to be in? Number two, why doesn’t this hotel have phones with fucking voicemail and not I have to leave messages with fucking receptionist? Number three, you better fucking be in tomorrow night when I fucking call again or there’ll be fucking Hell to pay, I’m fucking telling you.
 
—-Unquote
 
 
 
"22 reasons why I am offended" -
1. I am gay 2. I am American 3. I am a midget 4. I am a prostitute 5. I live in Bruges 6. I am suicidal 7. I like Belgium beer 8. I have children 9. I don’t like violence against women 10. I am also Canadian 11. I am Catholic 12. I like sightseeing 13. My friend was killed by a child molester 14. I am black 15. I am half blind 16. I have cancer 17. I smoke 18. I lost my girlfriend to an Irishman 19. I own a horse 20. I am from Amsterdam 21. I am fat 22. I am joking!!!

Comedy or Not

<海角7号>
分类类型是Drama/Romance/Comedy.
剧情很凌乱,爱情很莫名。
只当笑片来看,倒是称职得很。
 
<桃花运>
某人说:去看吧,跟你想的很不一样哦。
看了,其实就只是跟我想的一样啊。
爱情轻喜剧?怎么这样无聊得紧呢。
 
<The Day The Earth Stood Still>
有人犯花痴,邀我作陪。虽无兴致,权且答应了。
瞥见T-bag,就跟在<The Dark Knight>里的Mahoon一样搞笑。虽也瞅见<Mad Men>的男一,仍然饰演精英人士,便没那么喜感。
还有那个亚洲老头和男主角别扭得不相上下的中文发音,真是喜庆到不行。
 
<Pushing Daisies>
期盼已久的Season 2,却不知为何就看不下去了。
男主角依然顺眼;剧情依然离奇;Secrets, lies, suspense & jokes,一样都没有少。
只是忽然,好像什么都显得无趣了。
 
<South Park>
终于也耐心地追完第12季,我想我的恶趣味是否越来越重了。
其间,成功推介给一相貌极其幼齿无害的女孩子。
伊问“你最喜欢里面哪个?”答曰:“戴绿帽子的那个。”
 
 
房东养的那只叫“Rainbow”的小狗前不久死掉了。
这女孩子向我详述细节的时候,泪眼婆娑。
方才在客厅,听见电视里的谁讲了声“rainbow”。
那女孩子复述一遍,浅浅笑了一下。

City of God

- Anyone could become The One, if he had got a gun, with bullets, of course. -

 
Before watching the movie, I thought it would be another typical, boring, so-called masterpiece, which was soon approved to be wrong. I’d like to appraise it highly as one of the greatest Noir comedies, while it turns out to be commonly categorized as Thriller. About a decade ago, I recommended "The Sixth Sense" to others by highlighting it as a touching Drama, yet everybody else seemed to label it as Horror. Apparently, I’m not good at identifiying the nature of things.
 
Adults are killed by youngsters, whom were then killed by enfants. Where have all the flowers (babies) gone? Will they jump out of their cradles and go to kill the enfants in the next episode? Fine, this is not a drama, and no chance for sequal production is seen. Yet the answer to the question remains open. In this city, no one’s life is granted away from slaughter. To kill; or to be killed, – the number of options is so limited sometimes. And it often won’t take too long for the majority to make a choice. Honestly, unless on stage, nobody wants to live as Hamlet, being bothered by simple questions such as "To be, or not to be".  After all, to become a killer is as simple as any routine exercise in our daily life.  And it is the most essential step one needs to take on the way of becoming the god of the city. So, why hesitate?
 
"I steal, I take drug and I kill so I am a real man", a lad is proud of himself as such. A number of children have made appearance on the scene. Nevertheless none of them looks one’s age, only except for the moment that the little blonde, who had been shot on his toe, began to wail loudly. Only at that instant, he had forgotton everything about the proud and nerve a bandit should hold. He was full of fear so that nothing else could inhabite his mind. And that’s how a kid’s brain should work: single-minded, concentrated, pure and simple.
 
All leads to the ultimate question: if one kills just to keep oneself alive, will the killing be considered as sinful as it is used to be? Maybe this is a too general form to accquire much responses, yet not none at all. On my lovely great homeland, self-defense claimed in death is not defined as crime by law, which I interpret as an implication to the proposition that self-interest is natuaral and appropriate. Two years ago, I had submitted an essay on the same topic to my Philosophy teacher. Now I am unable to recall any single sentence I had written down on the night before deadline. But I am so convinced that my standpoint has never altered.
NO FAKING PLEASE.

Island Etude

台湾的电影总是很文艺腔。镜头里哪怕明摆着一副标准非文艺青/中/老年的模样,也会极其认真地操着一口混杂了大半台语的国语诵出大段大段的箴言来。
《练习曲》,也是这么一部文艺腔十足又理想化十足的片子。追捧者多是艳羡于主人公单车背包环岛行的决断与经历,果然是人人都怀揣着浪迹天涯梦呵。嗤之以鼻者则多谓其空洞造作,倒也是有那么一点儿。然而其中天清日朗风光迤逦,确是令观者无不悦目舒心的。忽而就忆起小学课文里描写宝岛风光的语句来。
前阵子还与人说,台湾之于我并没有多少吸引力。这下子,却真的想去逛一逛了。攀一攀阳明山,绕一绕日月潭,瞻一瞻蒋中正,赏一赏那藏了更多稀世名品的台北故宫。

Mr. Coppola

算起来,喜欢上这个早早就秃了顶的老男人,很久了呢。这么说是恶毒了些,可是,他的确不帅,一点儿也不帅。十年了,我从来都是这么认为。
多少人爱他在《天使之城》里的深邃眼眸一往情深,我但也为之动容过。然而一路看下来,通篇分秒必争的卖弄忧郁不免有些做作的刻意。
初见,是在更早的时候。《Face/Off》,他走入镜头,一脸的邪气,很合格的变态黑帮老大;另一边厢,John Travolta挺着啤酒肚,憨厚地笑,也实是警察的样子。换了脸面,调了身份,再看二人,已是迥异的神情。
他担着冤枉亡命天涯,枪林弹雨中躲闪栖身,这些,倒还不是最紧要的。他兀自去见妻子,她刚瞥到他便惊恐万分,俨然遇见了撒旦。那一刻,他的神色无比悲凉,淡蓝的眼珠盛满了种种情绪,深不见底。霎时,忽觉心尖隐隐刺痛。
那年,我不过是十二、三岁的小破孩儿,虽则阅片无数,关心的概是情节脉络高潮结局。第一次,因着一个眼神,记住一个人,尽管此后好久都不知晓他的名字。
再见已经年,本认不清那脸孔,一双眼却勾起了回忆。自此,逢君必看。最狂热的时候,曾想过要给他如Hepburn一般的待遇:从处女作到息影作一部不拉全数阅览。如今,他仍然是我最喜欢的男演员,可是决然已没有了当年的执念。
既如此,我大概没有资格作出如下的评判,然而我还是想说:《Leaving Las Vegas》应该是他最好的一次表演。整个下午,便是荒废于此了。
我相信,即便他一直演到80岁、90岁,成了影坛常青树,也不太可能再超越那一次了。而这,并不是一句悲观论调的结语。
我以为,一个演员真正的爆发只可能有一次,且光有完美的演技是不够的,自身必须拥有与其角色相契合的特质。两个波峰相交会,才能激荡出最大的能量。
评论家们总是爱强调演技、演技,仿佛角色与本人差距越大就越值得褒奖。可是,纵览影史,总是本色演出最能打动人心。无论怎样逼真的表演,都不如真实本身来得更自然透彻。
Mr. Coppola, or, Mr. Cage, 他的定位在那里,商业片多过文艺片,质量上各有参差。我也从没把他当天才看待。所以,悉数笑纳,无怨无悔。
 

One word or more

She had fallen in love with dull plays, she had fallen in love with obscure philosophy, – she had fallen in love with all he had loved, yet would never ever fall in love with him again.
 
This is the most impressive part to me throughout the entire plot. I always wonder why. It was actually a too common scenario thay you may easily cite a lot of examples from the real world.
 
Once I heard a joke, starting with one man questioning another,
"Your girlfriend had always persuaded you to quit smoking. Now you just made it. Why do you want to break up with her?"
Answered, "Since I have become such a good man, shouldn’t I try to look for someone better?"
 
People are keen on adapting themselves for the sake of love, whereas in more cases such adaptations eventually lead them to drift far apart from what they had been desperately longing for.
 
All is funny, ironically funny.

我爱伪摇滚

月初的时候终于去看了’Across the Universe’,继而又在家重温了几遍,多半是冲着那一首首好听或不好听的经典。
对于Beatles,原本应算是有一点儿喜欢。近期仿佛愈演愈烈,往beatlemania的方向发展了去。
 
电影里收了30多首,重新编曲,现场录音。几年没见,Evan Rachel Wood居然出落成这样的classical look,一开口也是圆润的旧式唱腔。男的是英国人,声线极似我偏爱的英伦摇滚风。其他人的演绎也都不错。
 
毕竟不是Beatles的大饭,没有系统全面地听过他们的每一张专辑,第一次看的时候联想就很有限。
Jude一出场,便想到了’Hey Jude’; 而一直到片尾曲响起,才知道Lucy这名字原来也是有出处的。
看得懂鲜红的草莓; 却不清楚那个青苹果的含义。
 
Sadie初见Max的时候,提到了sliver hammer,暗喻’Maxwell’s Silver Hammer’。Paul真是很搞,写出这么bt的一首歌来。
还有’When I’m Sixty-Four’; 还有’She Came in Through the Bathroom Window’; 还有片末大楼顶层的露天表演……
U2的Bono, Salma Hayek, 杜丽莎的女儿……
trivia不少,看看找找,有趣得很。
 
那天看到篇乐评,说Beatles不过就是六十年代的boy band,写了许多弱智小情歌,令无数少女竞折腰,典型代表作为’I Want to Hold Your Hand’.
不禁偷笑。感同身受嘛。
的确,若干年前,一听到这首歌就想:怎么会有这么傻的歌。后来,或许是听多了,便习惯了,又或许是因为年纪大了,于是倾向于接受一些简单直白的东西。
 
Coldplay的论坛上有人骂了一通英伦摇滚,说是伪摇滚。
可是,怎么办,我就是不喜欢Metallic,不喜欢Grunge,不喜欢Punk.
好吧,我承认,我只爱伪摇滚。
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